Off Script

In writing the script for Old Woman, some stories were scratched because of length or lack of relevance..Like this one which as far as I know is true. My good friend Virginia from the Eastern Shore passed it onto me. it's the kind of tale that spreads around a small town like wildfire starting always with " Did you hear...? " ( the names have been changed)
    May Frances Parker and G.T. Shreves were the most talented drinkers in town.They attended all the parties where liquor was served and were the last to leave. One night, they managed to out stay the liquor as well as the other guests. They made it to G.T's car. He was the designated driver that night. He made it to May Frances' house, traveling down the back roads. He drove into her drive
but May Frances was out. She  would not wake up so he drove on to his house, and leaving her in the car, staggered inside and fell into bed.
     The next morning he was on his second cup of coffee when he remembered... May Frances! He ran to the car Where he found her not only passed out, but passed on. G.T. jumps in the car and drives to Waddell's Funeral Home where Tim Waddell says, "I can't take her, G.T. You have to have a certificate from the coroner saying she's dead,"  to which G.T. replied, "Any fool with one good eye and half a brain can see she's dead!Tim said he didn't care he had to have that certificate so G.T left to go into town and look for the coroner with May Frances riding beside him looking no worse than she had at the party.
      Sam White,  the coroner, had gone to Norfolk , but no one knew  that. G.T rode all over town with May Frances beside him and couldn't find him. When noon came, G.T felt the need for a little libation, liquid of course, and stopped at the restaurant, leaving May Frances, of course, in the car.
Claudine Parks walked past the car on her way to the cleaners, saw May Frances and stopped to talk about Garden Club business. Afterwards, she said, "I could have sworn she said something. I know she nodded her head."G.T. came out of the restaurant and took off looking for Sam having no clue of the May Frances' conversation.
    Sam came home and heard of G.T.s dire need of him. So he took off looking for G.T.  but could not find him. So the whole town divided up into posses.Cars on all the streets even down in the necks in the fishing villages. Finally,  someone remembered G.T's habits. They found him down at the wharf , beer bottle held high extolling the sunset  May Frances beside him enjoying it to, in her quiet way.

We have a campaign to seek support for our expenses as we move towards the full production of our play at BC Stage in November. You can help! Go to this link on Kickstarter.com to see our project: http://www.kickstarter.com/projects/1028781595/get-old-woman-in-the-basement-on-the-stage 
   

    

Battery Park Roof Garden

On the morning of September the 24^th, Steve Boyer came here to take the “Basement Steps” of the play apart, take them to the to the top floor of the Battery Park and re-assemble them. I went down town around ten and sat at table with David Novak and Steve while they finished their blueberry muffins and coffee.We tried the microphone because the room's ceiling is high making sound hooty. Then Steve put the sides on the steps. I walk to the top, David the director, listens. An African-American man comes in to sweep, says his name is Charles. Says he was a bell captain, “in the olden days.”I tell him of listening to hundreds of children singing in that room, auditioning for Johnny Haber's Tanglewood Children'sTheatre, wanting to be mice in Cinderella or munchkins in Wizard of Oz.We sigh for the olden days.

Out on the roof, an elderly man named Fred tells me he's lived two lives. “The first about mind and body. This one is about soul.”

That night, the room fills up, maybe fifty people. The western sun is seen behind tall curtains Steve put up to keep the light out of my eyes.Steve wanted a story. I tell a mountain tale about Old One Eye .Vera, one of the residents in this residence for the elderly,grins. She's lived in Asheville all her life.

Lightheaded from the laughter following the story, I introduce David who introduces me and sets the stage for the first scene. I walk up the steps. The ceiling is way up there. Not close to my head like in my basement. I think, “What am I doing here? I'm afraid of heights.” Turn and lose the words for a second that feels like an hour.The scene ends with Mariah, reading, “There was an old woman who went up in a basket nineteen times as high as the moon.” Applause. I tell of a trip out to California to see the redwoods. “Their roots don't go deep. They intertwine. So those trees taller than any others end up holding each other up.”So ended the first presentation.

We have a campaign to seek support for our expenses as we move towards the full production of our play at BC Stage in November. You can help! Go to this link on Kickstarter.com to see our project: http://www.kickstarter.com/projects/1028781595/get-old-woman-in-the-basement-on-the-stage 

Structure

     The basement steps are done for Old Woman in the Basement.Steve Boyer brought them here to the house so I could practice and balance on them. There is a sturdy railing for me to grab, lean against, put my hat on. I'd like to get the picture of them on here. I'll get in touch with young Kim my blog master. Steve and his wife Ruth are helping get Old Woman  on the stage. They are remarkable.
They retired from their steward work on airlines, came to this city to enter into life and the community working backstage and on with the Community theater. Steve works for the Council for the Aging, Ruth, for the Biltmore Conservancy. Steve is part of David Novak's Telling Experience, making shows happen technically. He's a past president of Asheville's Storytelling Circle. Ruth sang Star Spangled Banner the hardest song to sing in the world at a recent baseball game. And made those rockets truly glare. I'm lucky to have their help.
      I was thinking about the structure of Old Woman the other day. It started life in Tommy Hay's Smoky Mountain Creative Writing Workshop. something like three or four years ago. My first one woman Friday's Father  came from writing I did there. In my personal life, I was into the second year of my husband John being in a facility for Alzheimers patients. Back when he was diagnosed with it, I came "off the road' with storytelling and turned to writing for expression. I'm not sure when the basement came into it. I remember telling Tommy, "I'm thinking of writing a play about an old woman who takes herself in anger down to stay in her own basement.' (Reckon I was headed into mine grieving John) and Tom says,"Well, we have to get her back up those stairs."
    At some point I found the Glen Ackerman book on monologues/one person plays.  He has a section in the first of it about the history telling of Ruth Draper and Cornelia Otis Skinner as pioneers. On that first read,I remembered seeing Skinner on a visit to Queens College, in Charlotte NC. sixty years ago. She wore a long dress and had great trailing  veils that she flung about. I do not remember a  single word she said. In the last scene I do a bit of posturing and flinging. I just realized where that came from!
     Old Woman is archetypal. Someone told me this lately and I nodded. I did not think I will now sit down and write an archetypal play. I realized its connection to the ancient myth of Inanna early  in the writing. Diane Wolkstein , writer with Stanley Kramer of the fine Inanna; Her stories and hymns. listened to it , saying Sadie is so-and so, connecting my characters to the ones in the ancient myth.
   Now, I'm thinking of the Moth ,the now prevalent short stories of NOW.  I gave myself a great chuckle wondering if people lived their lives so it would make a good story. The truth as I see it is even the short bursts of NOW have the first times embedded in them. Are you nodding? This needs another sentence. But if  I go back to the first times right now, I won't get out the door to talk to Valerie about advertising or pick up Tamara to clean or the Moth story of the day. So...see ya.

Comings and goings

  

     In his book,The Fire and the Rose, the Jungian Analyst, Bud Harris writes of "the great comings and goings of life." This morning, I paid for a young girl's abortion. The pregnancy was life threatening, medically necessary but I still wept.This past weekend ,I spoke with a friend who'd had death in the family and another storyteller to have a stroke in the very next room. He was into the going out time in  a big way. When you reach your seventies, death starts looking very familiar. In my play The Old Woman in the Basement, Mariah Kincaid is eighty-two.There are enough comings and goings to make you dizzy.
     Last Saturday, I went with my two daughters and my thirteenyear old  granddaughter to Hop'N Blueberry Farm where Van Burnette raises hops for the local brewerys and has a butterfly house full of flowers, a mist raising waterfall and...butterflies, of course.One of the monarchs landed on granddaughter Mollie's head and stayed and stayed and stayed.Butterflies live a short time. It takes four generations to make the miraculous migration possible. My husband, John and I went to Mexico to witness the
miracle. There'd been a cold snap. On the first Monarch mountain, a carpet of dead monarchs covered the ground. But on Chinqua, the butterflies bent  the branches of the trees with the weight of them .A gust of wind a flicker of light and there was a snowstorm of butterflies. "comings and goings.
     August the fifteenth was my anniversary . I wrote the following poem ...a coming and going poem.
 
 He's Gone
I yell into an empty house saying
I Love You to myself. No one else
to do it. He's gone.
He died on March 3rd, two years ago
They made a mistake at the funeral home
and say it is the second. No, I say
 setting them straight.it's eleven at night.
Son Bob's on the plane.Becky's at the vets
with her lab, Sadie, who dies, too, that
night. Carol, our youngest , and I walk
into his room. they've given him
morphine in something chocolate. It
dribbles down his chin. There's just one
chair by his bed. You first, I say, I'll
wait in there. I lie down on a pee-stained
couch, close my eyes, a hand on my
shoulder. Carol says, "He's gone.
No,no,no,no.Say it enough and he'll
 start breathing. I lean to put my hands
on his face. I try to rub him back
in his skin. Didn't his chest move?
No..says the nurse. He's gone.
Two consonants , two vowels. The
hard g clangs like a temple bell off
my breast bone. Truth is, he's been
gone. The Alzheimer's plaque now
covers his brain but the night before
there's that light  that says I know you
Now ... he's gone... on to where he's going.

    In the play, Old Woman In The Basement, Mariah goes down near bout as far as you can but in the last scene help comes from an unexpected source and laughter saves her hide. Who said, "I can stand anything so long as I can laugh at it.' Maybe it was me.
     Did you hear the one about the old woman who lived by herself, wouldn't come into town. One night, a big bruiser of a guy burst through the door, throws her to the floor, starts unbuckling his belt, planning to violate her. She looks up from her prone position and says, "Now wouldn't your mother be ashamed!" He stops, buckles up and picks up her car keys. The old woman now on her feet, says,"
Okay, take the car. but I just got it back from the mechanic. He said not to drive it over thirty-five.
So ...when they picked him up...YES ..he was driving thirty-five miles an hour.
   

To, for and With

     I started a blog on prepositions and it disappeared.  the old way of writing and having it there to be ,perhaps , lost in a pile of other papers makes me wistful.
      These thoughts refer to the time during the trip to the trees when I resigned as Mother. In a way, Mariah ,in the Old Woman did the same thing . Protesting her daughter Mary's painting the interior of their bungalow without consulting her, telling her she did it FOR her. It sends sparks to the existing anger in Mariah over losing her money, her husband  and the keys to the car. This sends her down into the basement.
      The trip to see the redwoods was wonderful. Set up by my son. Made possible by one daughter going with me on the plane, getting wheelchairs for the airport .the other two drove cars, a granddaughter found restaurants, etc. I paid . Seeing the trees was definitely a WITH.On the last day
packed into the car, they tell stories from growing -up. Returning their fiity year old selves to childhood . We get out of the car at a restaurant, they stand in a circle. I'm over on the sidewalk. loving their laughing but staring down and wondering why I'm by myself.
    At the end of a long hot tiring day, my grown children and I are in a hotel room together  . I'm exhausted. Tell myself so then announce , "Don't call me Mother anymore. Call me Bahpu, the grandchildren's name or Gwenda . I'll always be your mother but I want you to know me as a person before I die." Saying I want to be with you in the circle.
      I told this to a friend, and she said, "It isn't possible. " Another said,"Friendship with your kids is not negotiable..' I guess so. But I think being WITH is possible.
     My oldest daughter named me BMG...short for BahpuMotherGwenda. sounds like an expensive car but   ,how about this, it is also crone, mother ,maiden. Stages in a woman's  life. Yes.

Cindy Stepping Up

Cindy Dollar, age 59, owner of One Center Yoga, at the beach in Mexico-- on the way up the steps with mother ocean in the back.

From Cindy Dollar:  "As long as I've known Gwenda LedBetter she's been coming up the steps. oh, she may step back, but she's always looking ahead."

EYES OF WISDOM

An inspiration, not letting age keep her down:  Mary Afi Usuah, renowned folk singer who forsook European stardom to return to Nigeria in the 1970s. 
Check out her kickstarter documentary project here.

In my life, as storyteller, I came off "the road" to be caregiver to my husband, John Winslow Ledbetter.  (Our anniversary is tomorrow).  Coming back onstage to do this play is my attempt to not let age get me down-- I'm going back up the steps.